Vinyl Music Hall Presents
Raging Fyah, Nattali Rize
Fri, March 3, 2017
Vinyl Music Hall
$15.00 - $18.00
This event is all ages
General Admission * Standing Room Only * All Ages * Additional $5 Cash Surcharge At The Door For Under 21 * Attendees Under 16 Must Be Accompanied By A Ticketed, Adult Guardian * Posted Times Are Door Times- Events Generally Begin 30-60 Minutes After Doors Openhttp://www.vinylmusichall.com/event/1379170/
Tribal Seeds’ unmatched musical talent and authentic sound has brought them to the forefront of the reggae rock genre, as their art form has reached people of all ages across the United States, and worldwide. The band’s debut, self titled album “Tribal Seeds” was released in 2008 with their second album “The Harvest” following, June of 2009. iTunes named both albums “Best Of” in the Reggae genre, for their respected years. Their debut album helped garner them the “Best World Music” title at the San Diego Music Awards in 2008, and “The Harvest,” which contained fourteen new and original songs, debuted at the number 5 spot on the Billboard Reggae Charts. The tracks, written and produced by Tribal Seeds, were recorded and mixed by Alan Sanderson at Signature Sound Studios in San Diego, and mastered by Erik Lobson at Universal Mastering.
On July 19, 2011, Tribal Seeds gave listeners a brand new EP entitled “Soundwaves,” which peaked at number 2 on the Billboard Reggae Charts. The band notes that the album was inspired by their life experiences, being on tour, and their desire to inspire youth to raise their voices and seek a higher consciousness. More music is in the works and is schedule to be released in 2013. Already, the band has released three new singles, “Run The Show”, “Did Wrong” & “Night & Day” which are available for download.
Tribal Seeds have toured throughout the United States, and have also performed in Mexico, Guam & Aruba. They have shared the stage with artists such as Dave Mathews Band, Jack White, Red Hot Chili Peppers, Jane’s Addiction, Skrillex, MGMT, Cee Lo Green, Jason Mraz, Matisyahu, Sublime with Rome, Taking Back Sunday, O.A.R., Pretty Lights, Steel Pulse, The Wailers, Pepper, Collie Buddz, Julian Marley, Stephen Marley, Gregory Isaacs, SOJA, Rebelution, and many more.
One of few self contained groups (as opposed an artist's backing band) within contemporary Jamaican music, Raging Fyah is now poised for a significant impact upon America's vast reggae landscape (dominated by homegrown bands) with the Spring 2016 release of Everlasting, their debut album for VP Records' Dub Rockers imprint. Recorded live at Kingston's legendary Tuff Gong Studios producer Llamar "Riff Raff" Brown (whose credits include Stephen and Damian Marley, Richie Spice, T.O.K and 2016 Grammy Award winners Morgan Heritage) incorporates broad based influences, various acoustic subtleties, and a few guest artists, all of which enhances as well as expands Raging Fyah's established reggae identity.
"Working on this album was very exciting but challenging; we wanted to stay within the context of who Raging Fyah is, but we never want to box ourselves in either," explains the band's bassist/backing vocalist Delroy "Pele" Hamilton. "Being free spirited as musicians, we spend many hours jamming all kinds of music when we rehearse so we said why not use some of what we feel naturally on our record?"
The title Everlasting was chosen to convey the durability of Raging Fyah's music and the long term effect collaborating with Riff Raff has had on the band. "We had the choice to work with any producer we wanted, locally or internationally and we chose Llamar," says Raging Fyah's keyboardist/backing vocalist Demar "Keysie" Gayle. "We have learned so much from him; the way he helped to shape our sound is an everlasting lesson."
The set opens with Everlasting's title track, its hypnotic dub effects and majestic brass summoning the eternal strength of Jah love while heralding the extraordinary musical experience presented on the album's 13 tracks. From the carefree, easy skanking vibe of "Happiness" to the unshakable spirit of resiliency on the roots rocking "Try Again"; from the melodious crusade for "Justice" to the lush harmonies and gentle soulfulness of the "Ready For Love", Raging Fyah's varied experiences and broadening perspectives in recent years contributes to the sonic sophistication that characterizes Everlasting. The band has performed in such far-flung locales as Siberia, Russia and the South Pacific island of New Caledonia; they've developed a significant fan base throughout Europe where they have toured extensively and they are now gearing up for their first U.S. tour, supporting American reggae band Stick Figure on the latter's Set In Stone tour beginning March 10, 2016 in San Diego. "From our last album until now, we have traveled so much, and experienced different scenarios that we felt should be a part of Everlasting," says Pele.
Pele, Demar and Anthony Watson (drums, backing vocals) met while studying music at Kingston's Edna Manley College of the Visual and Performing Arts, under the tutelage of Ibo Cooper, former keyboardist with Third World. They joined forces with veteran guitarist Courtland "Gizmo" White and formed Inside Out in 2002 before changing their name to Raging Fyah in 2006. The band spent years backing artists at major stage shows in Jamaica; their long held ambition to perform original music became a reality when Kumar Bent signed on as lead singer in 2010. Kumar attended Edna Manley College a few years after his band mates, initially studying piano; at Cooper's insistence he began writing and singing his own songs. Kumar's supple expressive tone persuasively delivers Everlasting's array of personas, including the playful suitor on the album's first single "Dash Wata", the Jamaican roots revolutionary on "RaggaMuffin" and the enlightened soldier in Jah Army on "Getting Dread" Each mood is ideally complemented by the band's finely honed, faultlessly taut grooves.
Unlike their previous albums, Raging Fyah has chosen to collaborate with select guest artists on a few of Everlasting's tracks. Rising roots sing-jay Jesse Royal joins the band in criticizing greedy, uncaring leaders on "Humble"; dancehall star Busy Signal, who was so impressed by the Everlasting recording sessions he is featured on two irresistible tracks, the pop flavored "Would You Love Me", and the lilting "Live Your Life", also featuring Compton, California raised reggae star J Boog, who cites Raging Fyah among his favorite bands.
Raging Fyah collectively writes their songs, many conveying personal meaning while simultaneously addressing wider issues. "Wondering" asks how did we get here, seemingly questioning a relationship gone wrong but the song was penned in Haiti as the band considered the descent of the first independent Black nation into one of poorest countries in the western Hemisphere, despite its plentiful resources. While emphasizing personal accomplishments through small achievements "Get Up" was written to motivate the progress of Africans throughout the Diaspora, notwithstanding the lingering effects of historical atrocities: "locked up in captivity, shipped across the Caribbean sea, so many years of slavery I still don't know my identity", sings Kumar, the purity of his emotionally wrenching vocals framed by Demar's classically influenced piano, a representation of the culture imposed on slaves, prior to the segue into an emancipating reggae rhythm. "We put the classical part in to represent colonialism," Kumar explains, "because the song is about a belief system, the advancement of the Black race, creeping first then walking as a people and taking pride in our history."
Certain to be one of 2016's most celebrated releases, Everlasting signifies a milestone in Raging Fyah's career by raising the bar on their already lofty musical standards. "The challenging lyrics on Everlasting challenged what we were able to do as musicians," says Demar. "Musically, we kept our roots but went way beyond them because there is not just one shape to fyah, it takes on different forms."
Ask her where she comes from, she'll tell you "All Directions". In line with her philosophy she claims not to belong to any nation state but to the ever evolving community of conscious thinkers and creators anywhere & everywhere. Of mixed global heritage, with dominant Native American and Samoan roots, Nattali Rize has been known around the world for her work fronting epic roots band Blue King Brown as well as for her unwavering commitment to using her voice and music for the global struggle toward the realization of Full Freedom and the movement of Truth and Justice over the systemic exploitation of the people and our planet.
The ever evolving and dynamic front woman now leads out fresh as asolo artist, with a heavy Reggae influence she describes her universal sound as World Beat. Lyrical. New Era. Nattali is Known for her high energy, thought provoking and uplifting live performances, whether it be fronting her electric band, performing solo, unplugged, or accapella. Her new Jamaican / International band is a global mash up of raw energy and vibe that has been rocking stages since they burst onto the scene in 2015. An exciting evolution of this multi-dimensional Heartist!
After spending most of 2014 living, writing and recording, in Kingston, Jamaica, 2015 has seen Nattali Rize drop some heavy hitting tracks. Including a collaborative project with cutting edge Jamaican production crew 'Notis', aka heavyweight rockaz. Dubbed "A HEAVY HITTER" and to high acclaim, Nattali's collaborative EP with Notis dropped in August 2015, entitled New Era Frequency, featuring singles/videos 'Rebel Love ft Zuggu Dan' and 'Generations Will Rize ft Kabaka Pyramid' with over a million views and rizing.
Vinyl Music Hall
2 S. Palafox St.
Pensacola, FL, 35202