Dying Fetus, Thy Art Is Murder

Vinyl Music Hall Presents

Dying Fetus

Thy Art Is Murder

Enterprise Earth, Rivers Of Nihil, Sanction

Mon, April 9, 2018

6:00 pm

Vinyl Music Hall

Pensacola, FL

$22.00 - $25.00

This event is all ages

General Admission * Standing Room Only * All Ages * Additional $5 Cash Surcharge At The Door For Under 21 * Attendees Under 16 Must Be Accompanied By A Ticketed, Adult Guardian * Posted Times Are Door Times- Events Generally Begin 30-60 Minutes After Doors Open * No Re-Entry

Dying Fetus
Dying Fetus
In 1995, DYING FETUS self-released, promoted and distributed their first album, ‘Infatuation With Malevolence.’ In support of the album, the band toured the Eastern U.S., including a high-profile performance at the CMJ Music Convention at New York’s Lincoln Center. DYING FETUS also represented death metal as a genre on a panel at the convention.
In 1996, DYING FETUS‘ second album, Purification Through Violence was released simultaneously in America on Pulverized Records and in Europe on Diehard Music Worldwide. The band immediately embarked on their first full North American tour, hitting 25 cities with Canada’s KATAKLYSM and Florida’s MONSTROSITY. The response to the band’s unreal live show was astounding and the DYING FETUS name began to take residence in the minds of metal heads everywhere.
1998 saw the release of DYING FETUS‘ third album, Killing on Adrenaline on both Germany’s Morbid Records and in the U.S. through the band’s own label, Blunt Force Records. DYING FETUS embarked on unprecedented 52-date North American/European tour, hitting 12 countries in the process- from Denmark to Spain and Belgium to Poland. The band performed at dozens of festivals, including co-headlining shows on the Morbid Metalfest, as well as the Superbowl of Hardcore. During this time, DYING FETUS continued to make a name for themselves, appearing in national and international magazines, placing tracks on dozens of compilation CDs, and consistently doing radio and internet promotional activities. All on their own accord.
In 1999, DYING FETUS reissued the out of print ‘Infatuation with Malevolence’ CD (their 93-94 demo collection) with extra tracks via their own label, Blunt Force Records. The new version contained three live songs recorded on the 1998 European tour, as well as one demo track not included on the previous edition of the disc.
Looking to expand their scope even further, DYING FETUS signed to Relapse Records in early 2000 and immediately hit the road for a U.S. tour with DESTRUCTION and KATAKLYSM. The band re-issued their Grotesque Impalement EP, a collection of old material and covers before completing work on their first Relapse album ‘Destroy The Opposition’. A musical mugging aimed at corporate “rock,” ‘Destroy The Opposition’ was a brutal response to the everyday stress and pressures of reality in today’s age, providing a natural outlet for the alienation and frustration that such a pathetically consumer-oriented and greed-dominated society creates. The record was an immediate success and the band hit the road, touring internationally in support of the album for the next 16 months. In 2012, the album went on to receive Decibel Magazine’s prestigious Hall of Fame honor.
After almost three years DYING FETUS returned with Stop At Nothing in 2003. Symbolically representative of the greater alliance of anti-mainstream death metal/grindcore/hardcore-punk scenes, DYING FETUS stand in direct opposition to what is considered “normal” in the overwhelmingly conformist American musical arena. The band quickly hit the road in support of Stop At Nothing completing numerous North American and European headlining tours as well as delivering stand-out performances at international metal festivals.
Since then, DYING FETUS has been on a path toward supremacy, destroying everything in their path while attracting more loyal followers with every step. 2007 saw the release of War of Attrition, which found the band touring with CANNIBAL CORPSE and label-mates NECROPHAGIST. This release was followed by Descend Into Depravity, the 2009 masterpiece which led to numerous headlining tours in North America and abroad, including the band’s first ever appearances in China and Southeast Asia.
On June 19th 2012, DYING FETUS took their biggest leap yet, with their earth-shattering album Reign Supreme. Long-term fans rejoiced at the band’s consistency and critics lauded the band’s unparalleled musicianship, with Heavymetal.about.com raving that “Dying Fetus are at the top of their game with this record, which is sure to thrill old fans and gain them even more new ones.” With Reign Supreme, arguably their heaviest release yet, it is clear why the band has been hailed as “one of the most dominating forces in death metal,” and why they were booked to play the UK’s infamous Download Festival almost purely on a fan campaign via Facebook and Twitter. Anything less than total supremacy is simply not an option for this band.
Now in 2017, DYING FETUS once again raise the bar of sonic extremity with their 8th studio album and first new material in over 5 years, Wrong One To Fuck With. The seasoned veterans manage to further stretch their creative and technical boundaries across 10 complex tracks of pulverizing death metal, filled with more dynamic intricacies, brutal breakdowns and varied vocal patterns than ever before. Now over 25 years into their distinguished career, DYING FETUS cement their legacy with Wrong One To Fuck With and uphold their position as the most dominant force in death metal today.
Thy Art Is Murder
Thy Art Is Murder
THY ART IS MURDER furiously charges once more unto the breach, clawing and spitting against the dying light and a seemingly inevitable collapse of existence. Dear Desolation, the Australian metal crew’s fourth and mightiest album, is a devastating blow equally against and embracing of a cataclysmic nihilism and all-out misanthropic warfare.

Combining classic and authentic death metal elements that invoke the renegade, spirit-crushing, monstrosity of early Morbid Angel, Cannibal Corpse, and Decapitated with the precision rhythmic assault of Meshuggah and the breakdown-infused bounce of Black Dahlia Murder, THY ART IS MURDER have redefined a once cast aside and maligned subgenre, proudly reenergizing and representing the best in extremity.

The band’s music remains uncompromising, building upon the savage momentum of the controversially outspoken Holy War (2015), the punishing Hate (2012) and their gigantic debut, The Adversary (2010).

Dear Desolation continues the band’s evolutionary trajectory, remaining consistently inventive and diverse without sacrifice the band’s established identity. The adventurous spirit of the band’s unprecedented collaboration with The Acacia Strain and Fit For An Autopsy, released as The Depression Sessions, continues unabated, expanding and informing the band’s already confident creativity.

A new generation of death metal acolytes and vintage older thrashers alike enthusiastically proclaim the band’s unrelenting aggression, cementing a reputation with an increasingly fervent international fanbase. Videos for “Holy War,” “The Purest Strain of Hate,” “Shadow
of Eternal Sin,” “They Will Know Another,” “Light Bearer,” and “No Absolution” resulted in more than 30 million views on YouTube; “Reign of Darkness” alone accounts for nearly a third of those online views.

Thy Art Is Murder sharpened their sonic weapons on the road, with early tours in support of genre giants like Fear Factory and Cattle Decapitation, followed by much heralded appearances at Soundwave and all over North America on the Rockstar Mayhem Tour with Slayer. They’ve earned accolades from the likes of Metal Hammer and fellow bands alike, while delivering standout sets at festivals like Download.

Holy War, the band’s third album, entered the official Australian Recording Industry Association (ARIA) chart at #7, the highest ever debut position for an extreme metal act born and bred in the country.

When guitarists Sean Delander and Andy Marsh reconvened to begin work on what would become the band’s fourth album, they kept the material anchored in the rhythmic death metal that’s become their signature, but with an emphasis on songs that are both bigger and more straightforward. Dear Desolation is lean and stripped down.

Holed up in New Jersey for several weeks, the duo amassed around 25 songs between them, trimming the fat with the assistance of longtime producer Will Putney (Every Time I Die, The Amity Affliction, For Today) until only the 12 strongest compositions remained. Drummer Lee Stanton and bassist Kevin Butler laid down their contributions, with powerhouse vocalist CJ McMahon knocking out awe-inspiring performances, with Marsh’s lyrics, in less than two weeks.

Thematically the album expands beyond vicious polemic and vehemently contrarian invective into broader storytelling, contemplative death anxiety, and meditations on mortality and
morality. It’s an album of culture, environment, community; ties that bind, the panic that unwinds, and the constant, urgent primal scream.

If this is truly the soundtrack to the end of humanity, it’s music that should unite and empower extreme metal fans in all corners of the genre. Thy Art Is Murder skillfully ignites a crowd of 150 or 150,000.

Dear Desolation is custom built for the festival stage, organically streamlined to translate to a wide audience as skillfully as the central sound at Thy Art Is Murder’s core has resonates in sweaty clubs and theaters since the band’s formation in 2006. This is extreme metal for the people, torchbearers for a primal style that doesn’t die.
Rivers Of Nihil
Rivers Of Nihil
Death metal band from Reading, Pennsylvania, US.
Formed in 2009.

Facebook comments:

Venue Information:
Vinyl Music Hall
2 S. Palafox St.
Pensacola, FL, 35202
http://vinylmusichall.com/